Christina Olson is the author, most recently, of the poetry collection Terminal Human Velocity (Stillhouse Press) and Before I Came Home Naked (Ankylosaurus Press). She teaches creative writing at Georgia Southern University. Two of Olson’s poems are featured in ZYZZYVA No. 111. Presented here in its entirety is the poem “Pack Time”: In late May, the men succumbed to winter madness, shaving their heads and posing amid great hilarity while Hurley immortalized the moment with a photograph. —from Endurance: Shackleton’s Legendary Antarctic Expedition Who can blame them—their ship sunk in pack ice. The dark days looping like a tape reel. The sled dogs snoozing away in their dogloos. […]
Interoffice Memorandum 2/15
by Christine Sneed
Date: 15 February To: All Quest Industries Employees From: Judy Kemper, Vice President of Marketing Subj: Lost cardigan—please help! I seem to have misplaced a very important sweater and I’m almost certain I left it here in the office this past Friday. If you have seen my lime green Laura Ashley cardigan, size M, with pearl buttons, a small-to-medium gravy stain on one sleeve (left), and one frayed cuff (right), please tell me where you spotted it, and if this information leads to its recovery, I promise to give you a reward of your choosing, up to $10 in value. […]
Fringes of Despair: ‘Love’ by Hanne Ørstavik
by Samantha Aper
The boldly and rather ironically named Love (125 pages; Archipelago Books), written by Norwegian author Hanne Ørstavik, was originally published in her native country in 1997. Twenty years later, it has now been translated into English by Martin Aitken and is being released in the United States by Archipelago Books, perhaps in part due to the steady demand here for dark, noir-like literature out of Scandinavia. Exploring many opposing themes, including hope, disappointment, longing, and unrequited love, the novella tells the story of Vibeke and her young son, Jon, who have recently moved to a secluded town in the northern […]
A Migration of Spirits: ‘Freshwater’ by Akwaeke Emezi
by Isabel Erickson White
Akwaeke Emezi is a Tamil and Igbo writer from Nigeria who has received recognition for her short stories and creative nonfiction, as well as her work as an experimental video artist. With Freshwater (229 pages; Grove Press), she marks her first novel, an ambitious and original one at that. The book follows Ada, a young girl growing up in Nigeria, as she is both plagued and protected by a host of spirits that cohabitate her body and share her thoughts. Through beautiful and haunting prose, and through the different voices residing in Ada, we get a glimpse into her mind, […]
Strength of Kindness & Reason: Q&A with ‘Winter Kept Us Warm’ Author Anne Raeff
by Paul Wilner
San Francisco writer Anne Raeff’s new novel, Winter Kept Us Warm’’ (304 pages; Counterpoint Press), officially out next Tuesday, is an ambitious, multi-generational tale that deals with the interlocking lives of three characters—Ulli, Leo, and Isaac—who meet in Berlin shortly after World War II has ended. A departure of sorts from Raeff’s 2015 story collection, The Jungle Around Us, winner of the Flannery O’Connor Award for Short Fiction, it shares a similar interest in the complexities of character, motive, and human nature, albeit on a different palette. (In a coincidence of fate, Raeff’s wife, Lori Ostlund, previously won the O’Connor […]
Now & at the Hour of Our Death: Q&A with ‘The Immortalist’ Author Chloe Benjamin
by R.O. Kwon
I refuse, as a rule, to consult all fortunetellers, palm-readers, and tarot-card diviners. I won’t so much as glance at a horoscope; routinely, I forget what my own astrological sign might be. It’s not so much that I believe or disbelieve in what a fortuneteller might have to tell me, but that I distrust myself, not knowing how my future behavior might change in response to what any would-be oracle has to say. Chloe Benjamin’s second, much-lauded novel, The Immortalists (352 pages; Putnam), follows four siblings who, as children, go to a fortuneteller to learn when they’ll die. Afterward, tensions […]
The Demands of Story: Q&A with ‘Outside Is the Ocean’ Author Matthew Lansburgh
by Anne Raeff, Lori Ostlund
In 2011, I was living in Chapel Hill, North Carolina, where I spent two years as the Kenan Visiting Writer shortly after the release of my first book, a story collection. One of these stories, “Bed Death,” appeared in the PEN/O.Henry Prize Stories, and it was this publication that led to my meeting Matthew Lansburgh. He sent me an email after reading it, and we struck up a friendship. In 2012, I moved back to San Francisco, and during a quick trip to New York in 2015, I finally met Matthew; we spent two days together, during which time he […]
An Ideal Citizen: ‘The Accusation: Forbidden Stories from Inside North Korea’ by Bandi
by Isabel Erickson White
The cover of The Accusation: Forbidden Stories from Inside North Korea (248 pages; Grove Press) boasts a brightly colored piece of North Korean propaganda featuring six luminous, smiling faces. The seven stories in the collection, however, offer something very different: heart-wrenching accounts of a brutal life inside the country’s borders. The Accusation’s journey to publication is miraculous in itself. Its author, Bandi (a pseudonym meaning “firefly”), smuggled his manuscript out of the country with the help of a defecting family member. For more than four years, he secretly wrote the manuscript, entirely in pencil, and remains in North Korea where […]
Interoffice Memorandum 1/15
by Christine Sneed
Date: January 15 To: All Quest Industries Employees From: Mid-Level Management Subj: Live Plant Policies in the Office A short note on office policy regarding potted plants and floral bouquets: a) If you enjoy the company of a potted plant on your desk, please water it as needed in order to keep it from becoming an unsightly and dispiriting brown heap of tendrils, leaves, stalks, stems, pistils, stamens, husks, pods, and/or roots. b) If you have received a bouquet and are keeping it at your desk, please do not, under any circumstances, balance it on the edge of your cubicle wall where it will inevitably be bumped and dislodged by a passing coworker and […]
Future Shock: ‘The Transition’ by Luke Kennard
by Samantha Aper
With frequent moments of insightful social commentary, Luke Kennard’s first novel, The Transition (328 pages; FSG), takes us to an exaggerated version of our current society—a dystopian world of recognizable stress. Karl and Genevieve are both university-educated and hold decent jobs. Genevieve works as a teacher, and Karl has a dubious career as a fake product reviewer and ghostwriter for lazy college students who can afford his services. In the first few pages of the novel, we learn things have gotten to the point where the “average age of leaving the parental home drifted into the early forties.” At the […]
Letting the Light in: ‘Recent Changes in the Vernacular’ by Tony Hoagland
by Meryl Natchez
Tony Hoagland, like Jack Spicer, is a master of wielding the needle of irony to inject you with the pain of being an aware human being. (Re-reading Spicer’s letters to Graham Macintosh in the July 1970 issue of Caterpillar reminded me of their shared sensibility.) Hoagland has a particular ability to pinpoint the ills and contradictions of the American psychic landscape using deadly serious humor. This was already evident in poems such as “Hard Rain,” “Dickhead,” “Foodcourt,” “At the Galleria Shopping Mall,” and “America.” Perhaps no one else in the contemporary poetry landscape creates such pitch-perfect expositions of our national […]
Creating Tintypes at the Skate Park: Q&A with Photographer Jenny Sampson
by Joel Rice
Using an anachronistic 4×5 view camera—the kind where the photographer stands draped under a dark cloth—Jenny Sampson has been steadily creating tin-type portraits of skateboarders she encounters at local skate parks, mainly in California, Oregon, and Washington. The resulting portraits are beguilingly fraught with melancholy atmospherics, their distressed tactility an implicit rebuke to the sterile, antiseptic images saturating daily life in a digital age. (Several such tin-types were recently featured in ZYZZYVA No. 111.) Sampson’s practice has allowed her to meaningfully engage with the skaters themselves, and obliquely teach them a bit about her antique photographic technique. (Paradoxically, the process […]