Michael Zapruder’s recent album/poetry anthology Pink Thunder (Black Ocean, 64 pages, 22 audio tracks) combines the poetry of twenty-three poets—including Gillian Conoley, Dorothea Lasky, Mary Ruefle, and D.A. Powell—with Zapruder’s music to create songs that do not alter the original form of the poems. We talked with Zapruder via email about the process of putting poems to music, and collecting them for an album. ZYZZYVA: Pink Thunder is an ambitious experiment mixing poetry with music. Can you explain how you came up with the idea for this record? Michael Zapruder: I wanted to make songs from poems—without changing the poems—to see […]
So Close to Each Other, Yet So Far Apart: Jessica Francis Kane’s ‘This Close’
by Christopher Connor
Jessica Francis Kane’s new story collection, This Close (Graywolf Press, 192 pages), is an interior examination of the closest of relationships. Kane reveals in these thirteen stories how easily conflict, jealousy, and pain can create distance between family, friends and neighbors. In “The Essentials of Acceleration,” Holly is the lonely woman on her block, sharing a house with an elderly father who leaves flowers on the porches of the neighbors. Her father easily befriends the people who live near him while Holly remains confused about her father’s affability. To Holly, being a neighbor does not necessitate friendship. “Let’s have laminated […]
Personal Essay Elevated to Art: Aleksandar Hemon’s ‘The Book of My Lives’
by Laura Cogan
In the first of the linked essays in Aleksandar Hemon’s new book, he begins by remembering how his sister’s birth changed his childhood; how life would always thereafter be divided between before and after her arrival, how nothing would ever be the way it used to be. And then he reminds us, “But nothing has ever been—nor will it ever be—the way it used to be.” It’s a fitting admonition for the fraught work of memoir writing. Memory, of course, betrays us incessantly, and the creative impulse of the fiction writer is somewhat at odds with the rigors of telling […]
On an Island, Making Sense of Loss: Ron Currie Jr.’s ‘Flimsy Little Plastic Miracles’
by Christopher Connor
Ron Currie Jr.’s new novel, Flimsy Little Plastic Miracles (Viking, 352 pages), begins with an epigraph from the movie Rocky: “women weaken legs.” Currie’s aim is to entertain, but hidden beneath his comedy about a man who cannot have the woman he loves is a heart-wrenching tale of a narrator who loses control of his life in unimaginable ways. The narrator, a writer who happens to be named Ron Currie, Jr., has been obsessed with a woman named Emma since eighth grade. She broke his heart as a teenager, but following her divorce the pair begins a new relationship. When […]
In the Spring Issue
by ZYZZYVA
The newest ZYZZYVA features a special section of work by authors who divide their time between the West Coast and elsewhere, as well as … Stories about love and grieving (Marianna Cherry’s “The Endurance”), about love and its opportunities: grand (Chris Leslie-Hynan’s “Hunter’s Moon”) and grim (Herbert Gold’s “The Passion of a Fussy Man” and Michelle Latiolais’s “Gas”), irrevocable (Dani Shapiro’s “Cardioplegia”) and fixed to place (Molly Giles’s “Life Span”). Fiction on the writing life—whether pursued in a classroom (Lori Ostlund’s “Clear as Cake”) or very much alone (Debbie Graber’s “Northanger Abbey”)—and fiction about teachers, young and veteran, learning the […]
Blinded to His Ugliness: Francesco Pacifico’s ‘The Story of My Purity’
by Christopher Connor
Unreliable narrators have populated literary works for hundreds of years. Piero Rosini, the narrator of Francesco Pacifico’s novel The Story of My Purity (Farrar, Straus and Giroux; 292 pages; translated from the Italian by Stephen Twilley) is not unreliable in a naïve or precocious way like Huck Finn, but utterly loathsome in the vein of Nabakov’s Humbert Humbert. Rosini is a devout Catholic working as an editor in a right-wing publishing house in Rome. His current project is a book that would expose Pope John Paul II as having been born Jewish and planted in the Catholic Church by Frankists. […]
The Mind Is a Dangerous Country: ‘The Chairs’ at the Cutting Ball Theater
by Marianne Moore
I heard somewhere that it’s easier to dream lucidly as a couple. If, before going to sleep, you turn to your lover and say, “Darling, tonight let’s dream of boats,” and then you both go to sleep, the odds are much greater that you will both dream of boats. The Cutting Ball Theater’s production of Eugene Ionesco’s The Chairs (a new translation by Rob Melrose, directed by Annie Elias) is the story of a superannuated couple who create a new reality together as they fight off the tedium and irrelevance of old age. They live in a crumbling apartment building […]
Cross Country Journey More Than a Road Trip: Grant Ginder’s ‘Driver’s Education’
by Jerome Blanco
Grant Ginder’s recent novel, Driver’s Education (Simon and Schuster; 256 pages), is a lighthearted story about fathers, sons, and the spirit of adventure. But most of all, it’s a story about story itself. Ginder, author of the novel This Is How It Starts, conjures an exciting cross-country journey, and an even more exciting journey across the lives and memories of a family. Alastair McPhee is near the end of his life and lives with his son, Colin, in San Francisco. He asks his New Yorker grandson, Finn, for a final favor: Find Lucy, an old car that Alastair drove on […]
Finding Our Nature in the Surrounding Wilderness: Eric Pankey’s ‘Trace’
by Christopher Connor
Eric Pankey’s new poetry collection, Trace (Milkweed, 68 pages), is an intense journey of powerful language to the edge of the wilderness. Even as his poems invoke a sense of earthly calm, the threat of danger looms throughout these poems, grabbing our attention and holding it throughout. Much of Trace is set in the natural world, offering a somber examination of the ways in which humans occupy the space. Nature here is constant, balancing the frenetic sphere of humans, a realm in which homes are burning down and people are leaving, crying, or simply trying to find themselves. Often, Pankey […]
A Careful Reading of a Literature’s Underdogs: Larry Beckett’s ‘Beat Poetry’
by Paul Wilner
The beat goes on. Larry Beckett, the one-time songwriter (he famously collaborated with the late Tim Buckley) has long been immersed in an ongoing poetic project called “American Cycle,’’ which takes an ambitious look at the folkloric past—from Paul Bunyan and P.T. Barnum, to Chief Joseph and Amelia Earhart and other figures from the “old weird America.’’ His latest book, simply titled Beat Poetry (Beatdom Books, 150 pages), tries to put into meaningful perspective the oft heralded if frequently over-hyped revolution in American poetry that took birth from the vernacular modesty of that good obstetrician William Carlos Williams and incorporated […]
A Life and a Career Seen Through the Prism of 9/11: ‘Fallaci’ at the Berkeley Rep
by Christopher Connor
Journalism is under the microscope in Fallaci, the new play from Pulitzer Prize-winning journalist Lawrence Wright at the Berkeley Repertory Theater. Directed by Oskar Eustis, the fictional play is based on the life of Italian journalist Oriana Fallaci, who was famous for her interviews of provocative world leaders such as Henry Kissinger, Fidel Castro, Ayatollah Khomeini and Saddam Hussein. Wright’s play examines the two sides of the journalist through the eyes of an idolizing young writer. The first act introduces a reclusive Fallaci (played by Concetta Tomei with an enthralling gravitas) at home in her New York apartment. Twenty-five-year-old reporter […]
Finding Refuge From the End of a Marriage: Joelle Fraser’s ‘The Forest House’
by Alyssa Cami
Nature plays an integral part in Joelle Fraser’s new book, The Forest House: A Year’s Journey into the Landscape of Love, Loss and Starting Over (Counterpoint Press, 224 pages), which chronicles her life right after her marriage ends. Wanting to disrupt the life of her young son, Dylan, as little as possible, Fraser resolves to stay near the small mountain town where Dylan’s father lives. The only place she can find that’s close enough to town, but far away from the gossip (it was Fraser’s decision to leave her husband) and sympathy there, is a one-bedroom home tucked into the […]