Writing from on the Road: A Q&A with Sister Spit’s Michelle Tea

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Both sentimental and side-splittingly funny, Sister Spit: Writings, Rants & Reminiscence from the Road (Sister Spit/City Lights), is a collection of stories coming out this month from Michelle Tea’s legendary feminist performance art collective, which performs around the country with a featured group of talented feminist writers, beat-boxers and trapeze artists alike. Told through a series of essays, drawings and diaries from various caravan contributors, Sister Spit is a sharp, sassy take on the tour experience. Reading it feels like taking a road trip with your best friends at their brightest, sans the backseat bickering and rest stop bathroom breaks. […]

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A Haunting in Houndstitch: ‘Inukshuk’ by Gregory Spatz

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Despite the presence of rotting teeth, oozing sores and cannibalism, Gregory Spatz’s novel Inukshuk (Bellevue Literary Press, 192 pages), which charts the struggles of an emotionally disjointed family, is much more haunting than horrific. Exploring the gradual breakdown of a family abandoned, it’s a strange, hallucinatory tale of loss that still manages to keep itself grounded in the real world. Uprooting his teenage son Thomas to the small Canadian oil town of Houndstitch after he is left by his wife, John Franklin must battle his own demons while also dealing with Thomas’s concerning obsession with explorer Sir John Franklin’s doomed […]

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Internet Terror: ‘Four New Messages’ by Joshua Cohen

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In his new collection of stories, Four New Messages (Graywolf, 208 pages), Joshua Cohen portrays lives that are predicated on and destroyed by the Internet’s world of screens and static. Portaging an understanding of his generation’s ethos (the author is 31), Cohen fleshes out young characters struggling with an increasingly electronic lifestyle. Cohen’s stories, which range from about 30 to 70 pages in length, take some time to get into, but settling into them is something to be relished. His sentences, spare of commas and loaded with improvised structure and vocabulary, have a frenetic yet hypnotic quality. Through layers of […]

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A Frank Investigation of Her Family: Q&A with Paula Priamos

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In her recent memoir, The Shyster’s Daughter (Etruscan Press; 250 pages), which was excerpted in ZYZZYVA 91, Paula Priamos investigates the death of her lawyer father and paints an unapologetic portrait of her family, with characters both perverse and loving. Priamos peers into the motivations of her family members with a rare and enticing frankness that distinguishes her work from that of other memoirists. Beyond the title, Priamos hints at the type of story she’s about to tell in the first page with a description of her father, who’s phoning her. She can easily imagine him being “somewhere far sleazier” […]

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From Iguala to Los Angeles, the Making of a Writer: Q&A with Reyna Grande

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Each year thousands of children are left behind as their parents cross the border into the United States looking for work. Often these children set out on journeys of their own in hopes of finding their parents. These terrifying treks, and their devastating effects on families, have been chronicled by others. In 2006, journalist Sonia Nazario wrote a spellbinding account of a young boy’s trek from Honduras to the United States in Enrique’s Journey: The Story of A Boy’s Dangerous Odyssey to Reunite With His Mother. In 2009, the documentary film Which Way Home captured the plight of two young […]

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A Non-Moronic Relationship with God: Kaya Oakes’s ‘Radical Reinvention’

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As Kitchen Sink Magazine cofounder, Kaya Oakes makes clear in the prologue to her memoir cum theological summa, Radical Reinvention: An Unlikely Return to the Catholic Church (Counterpoint, 256 pages), “this is not a story of being born again; if I wanted to be an evangelical I could just hop into a church and they’d dip me in a tub and serve me cake.” With this characteristic blend of spiritual sincerity and irreverent wit, Oakes, who is the author of the critically acclaimed book Slanted and Enchanted: The Evolution of Indie Culture (2009), retraces her steps back into her childhood […]

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Creatures in the Desert: ‘A Million Heavens’ by John Brandon

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Probably the most enjoyable theme through all of John Brandon’s novels is his fascination with people in solitude, because it allows Brandon to linger on often-bizarre penchants and lifestyles. In Arkansas we saw the partnership of Swin Ruiz and Kyle Ribb, two young guys whose utter weirdness in personality lands them in the drug running business. In Citrus County, he focused on the dark longings of his characters, which they ponder on long walks through the forest, or during detention in an undecorated middle-school classroom. In his new novel, A Million Heavens (McSweeney’s; 272 pages), Brandon maintains his interest in […]

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The Well-Researched Drug Memoir: ‘Opium Fiend’ by Steven Martin

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When you think of opium smoking, the sepia-steeped image of an exotic Shangri-La probably comes to mind.. However, opium consumption has long been a worldwide phenomenom, with smokers found among  the upper crust and the impoverished. In his memoir, Opium Fiend: A 21st Century Slave to a 19th Century Addiction (Villard; 416 pages), Steven Martin delves deep into the long-lost secret history of a drug that once captured the imaginations of everyone, from the haute couture to Hunter S. Thompson. Martin—a freelance writer living in Southeast Asia whose curiosity about opium smoking eventually led to his becoming an addict to […]

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A Sexual Greed, Profound and Shallow: Q&A With Chloe Caldwell

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There’s a matter-of-factness about Chloe Caldwell’s sexually uninhibited, confessional essays, Legs Get Led Astray (Future Tense Books). “I am the type of person who will give anything to anyone I feel I could love, ” Caldwell writes at one point. Caldwell is young—her work reflects that—but that is not to say the writing is immaterial or inchoate. It’s what I would call a greedy, ugly kind of “young,” the kind that makes you wonder if we are most alive, in a monstrous way, when we’re being hideous and awful. We spoke to her over Facebook about her frank and voracious […]

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Life as a Flounder, or Lizard: ‘No Animals We Could Name’ by Ted Sanders

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Ted Sanders writes the kind of sensitive, careful prose that makes it easy for the reader to forge connections with the most unconventional of characters—whether a flounder or a lizard—and to live for pages as someone (or something) you thought you could never identify with. A collection of fourteen individual narratives, each forming its separate universe, No Animals We Could Name (Graywolf Press; 272 pages) is a beautiful expression of feeling in the form of prose. Putting a surrealist spin on the most realist situations, Sanders’ hyper-observant prose and delicate descriptions are at once gentle and urging, prompting you to […]

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Tucson’s Tragic Dispostion: ‘A Safeway in Arizona’ by Tom Zoellner

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At the beginning of his new book, A Safeway in Arizona: What the Gabrielle Giffords Shooting Tells Us About the Grand Canyon State and Life in America (Viking; 276 pages), Tom Zoellner provides a disclaimer: he admits to harboring “several personal biases” with respect to the book’s subject matter.  We learn, however, that these biases are completely appropriate.  Congresswoman Gabrielle Giffords, a survivor of the shooting at the Tucson Safeway on January 8, 2011, is an extremely close friend of Zoellner, who counts her within the “maybe twenty people” he has loved in his life.  The emotion that Zoellner brings […]

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An Island Shaken By Memories: ‘Subduction’ by Todd Shimoda

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In Todd Shimoda’s most recent novel, Subduction (Chin Music Press; 304 pages), the book’s visual design is as crucial to the narrative’s enjoyment as is the prose Endo, a doctor exiled to the island of Marui-jima for committing a fatal mistake, occupies himself by becoming concerned with the island’s elderly residents. Curious about the years before his arrival, and the choices the islanders have often come to regret, he befriends Mari, the island’s documentary filmmaker, and grills her about the islanders’ stories, as well as her own. But when she presses Endo to share personal details of his own life, […]

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