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Restless in the Wilds of Eastern Idaho: David Kranes’s ‘The Legend’s Daughter’ Posted on by editor in Book Reviews
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Significant as Medieval Texts, They’re Bawdy and Lively, Too: ‘The Fabliaux’ Posted on by editor in Book Reviews
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A Hysterical if Perverse Playground: Nelly Reifler’s ‘Elect H. Mouse State Judge’ Posted on by editor in Book Reviews
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A Space Apart from the Vileness Below Them: Pedro Almodóvar’s ‘I’m So Excited!’ Posted on by editor in Movie Review
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The Dark Denizens of a Debauched Rome: Niccolo Ammaniti’s ‘Let the Games Begin’ Posted on by editor in Book Reviews
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Looking ‘to Be Without Trying to Be’: ‘The Complete Stories of James Purdy’ Posted on by editor in Book Reviews
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Betting on a Better Tomorrow in ’90s New York: Ali Liebegott’s ‘Cha-Ching!’ Posted on by editor in Book Reviews
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Mythical and Spiritual, Direct and Concrete: The Storytelling Prowess of Sjón Posted on by editor in Book Reviews
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A Poet Survives China’s Prison: Liao Yiwu’s ‘For a Song and a Hundred Songs’ Posted on by editor in Book Reviews
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Skulking in the Comments Section: Travis Nichols’ ‘The More You Ignore Me’ Posted on by editor in Book Reviews
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Scottish Storytelling, Elvis, and Perfect Moments: Q&A with John Mercer Posted on by editor in Interviews
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Buffeted in His Father’s Wake: Kelly Daniels’ ‘Cloudbreak, California’ Posted on by editor in Book Reviews