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A Refreshing Story Set in a Rundown Town: Michelle Tea’s ‘Mermaid in Chelsea Creek’ Posted on by editor in Book Reviews
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Self-Doubt, Rage, Compassion in Measured, Perfected Poems: Jason Bayani’s ‘Amulet’ Posted on by editor in Book Reviews
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The Absurdity of War, the Absurdity of the Media: Robert Perisic’s ‘Our Man in Iraq’ Posted on by editor in Book Reviews
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The Hairline Fractures of Relationships: Gregory Spatz’s ‘Half as Happy’ Posted on by editor in Book Reviews
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A Cult Built Out of Anguish and Desolation: Fiona Maazel’s ‘Woke Up Lonely’ Posted on by editor in Book Reviews
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Truth Dressed in Lies: Kristopher Jansma’s ‘The Unchangeable Spots of Leopards’ Posted on by editor in Book Reviews
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Amid a Failing City, a Marriage in Jeopardy: Patrick McGrath’s ‘Constance’ Posted on by editor in Book Reviews
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A Best American Short Stories and Best American Essays One-Two Punch (Update: And Now a Pushcart: We Hit the Trifecta) Posted on by editor in Literary News&News
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Discovering L.A., and the Mother She Never Knew: Anna Stothard’s ‘The Pink Hotel’ Posted on by editor in Book Reviews
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Finding the Right Note for Admired Works of Poetry: Q&A with Michael Zapruder Posted on by editor in Interviews
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So Close to Each Other, Yet So Far Apart: Jessica Francis Kane’s ‘This Close’ Posted on by editor in Book Reviews
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Personal Essay Elevated to Art: Aleksandar Hemon’s ‘The Book of My Lives’ Posted on by editor in Book Reviews