Get In And Toss the Gun in Back

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Mauro Gallardo is a writer and ukulelist living in Monterrey, Mexico, and recently completed his first novel, I Liked You Better When You Were A Junkie.

In Gallardo’s short story in ZYZZYVA’s Spring 2012 issue, “Get In and Toss the Gun in Back,” translated by ZYZZVA Managing Editor Oscar Villalon, we encounter a narrator who relies on good humor and quick thinking to deal with the mayhem that has come to define his city. (Monterrey is Mexico’s third largest city and one of the hardest hit by the ongoing drug war.) Coming back from a disastrous date, he diverts a carjacking into something like a joyride. Funny and surprising, Gallardo’s story could be viewed as one young man’s way of staying human amid a wretched situation.

The following is an excerpt from his story.

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A Haunting in Houndstitch: ‘Inukshuk’ by Gregory Spatz

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Despite the presence of rotting teeth, oozing sores and cannibalism, Gregory Spatz’s novel Inukshuk (Bellevue Literary Press, 192 pages), which charts the struggles of an emotionally disjointed family, is much more haunting than horrific. Exploring the gradual breakdown of a family abandoned, it’s a strange, hallucinatory tale of loss that still manages to keep itself grounded in the real world. Uprooting his teenage son Thomas to the small Canadian oil town of Houndstitch after he is left by his wife, John Franklin must battle his own demons while also dealing with Thomas’s concerning obsession with explorer Sir John Franklin’s doomed […]

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Internet Terror: ‘Four New Messages’ by Joshua Cohen

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In his new collection of stories, Four New Messages (Graywolf, 208 pages), Joshua Cohen portrays lives that are predicated on and destroyed by the Internet’s world of screens and static. Portaging an understanding of his generation’s ethos (the author is 31), Cohen fleshes out young characters struggling with an increasingly electronic lifestyle. Cohen’s stories, which range from about 30 to 70 pages in length, take some time to get into, but settling into them is something to be relished. His sentences, spare of commas and loaded with improvised structure and vocabulary, have a frenetic yet hypnotic quality. Through layers of […]

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In a Way That Satiates

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The writing on Mexico’s drug war in ZYZZYVA’s Spring 2012 issue featured some harrowing pieces of reportage by young authors and journalists Diego Enrique Osorno and Marcela Turati. (You can read their pieces in full here and here.) But it also featured impressive pieces of fiction, such as this short story by the internationally-acclaimed Mexican author Daniel Sada (1953-2011).

Translated by Katherine Silver, “In a Way That Satiates” tells of a narco-party that goes sideways when three heads are discovered in an ice chest otherwise full of beer. It’s a striking piece of fiction, both funny (“At first the drinks were cola sodas: Coca and Pepsi, each according to his preference, but then they brought out the Fantas, Mirindas, and Orange Crushes. Not a lot of diversity, one might say.”) and sinister (“Female wake-weeping that waned with time, it had to; especially because the mental always ends up defeating the sentimental. That’s the way of the world.”).

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On the Drug War in Mexico: An Introduction

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From mid-August through mid-September, the Caravan for Peace will wend its way across the United States, having started in San Diego and eventually arriving at Washington, D.C.  Part of the Movement for Peace with Justice and Dignity, an organization in Mexico “dedicated to giving voice to the families of victims of [the drug war] and to publicizing the real costs of this war,” the MPJD believes “it is the Mexican government’s responsibility to provide justice and reparations” to the thousands upon thousands of victims of the drug war and is doing what it can to hold that government accountable.

The Caravan for Peace seeks the same from the United States, and will be traveling the country, meeting with various folks and organizations that agree several urgent issues must be addressed here, too, to help end the chaos. They are “the need to stop gun trafficking; the need to debate alternatives to drug prohibition; the need for better tools to combat money laundering; and the need to promote bilateral cooperation in human rights and human security in two priority areas: promotion of civil society and safety, as well as protection and safety for migrants.”

With that in mind, this month ZYZZYVA will run excerpts from our section on the drug war in the Spring 2012 issue. (The section is available as an ebook, too, from Byliner.) We begin with journalist and author John Gilber‘s introductory essay, presented in full. Gibler’s essay gives context to the various works appearing in the section (a couple of which he also translated). Published in April, the themes of the essay still hold true (though you can read an update to the essay here.) The statistics are grim, but they do not occlude the fact that there are valiant people–among them, poets, writers, and artists–peacefully seeking a change.

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The Sasquatch Poems

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In ZYZZYVA’s Summer 1996 issue, there appeared a long poem on an unusual topic by Sherman Alexie, whose work had already appeared in Issues No. 26 and 39. (His eighth book, the novel “Indian Killers,” would be published by Grove/Atlantic that fall.)

Despite its seemingly jokey title, “The Sasquatch Poems” is anything but. Humorous, yes, but also a sharp consideration of the cultural presumptions behind the dismissal of the Pacific Northwest’s creature of legend. As the poem’s speaker suggests, “Indians can only be proven superstitious/ if non-Indians are proved to be without superstition.”

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A Frank Investigation of Her Family: Q&A with Paula Priamos

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In her recent memoir, The Shyster’s Daughter (Etruscan Press; 250 pages), which was excerpted in ZYZZYVA 91, Paula Priamos investigates the death of her lawyer father and paints an unapologetic portrait of her family, with characters both perverse and loving. Priamos peers into the motivations of her family members with a rare and enticing frankness that distinguishes her work from that of other memoirists. Beyond the title, Priamos hints at the type of story she’s about to tell in the first page with a description of her father, who’s phoning her. She can easily imagine him being “somewhere far sleazier” […]

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From Iguala to Los Angeles, the Making of a Writer: Q&A with Reyna Grande

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Each year thousands of children are left behind as their parents cross the border into the United States looking for work. Often these children set out on journeys of their own in hopes of finding their parents. These terrifying treks, and their devastating effects on families, have been chronicled by others. In 2006, journalist Sonia Nazario wrote a spellbinding account of a young boy’s trek from Honduras to the United States in Enrique’s Journey: The Story of A Boy’s Dangerous Odyssey to Reunite With His Mother. In 2009, the documentary film Which Way Home captured the plight of two young […]

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A Non-Moronic Relationship with God: Kaya Oakes’s ‘Radical Reinvention’

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As Kitchen Sink Magazine cofounder, Kaya Oakes makes clear in the prologue to her memoir cum theological summa, Radical Reinvention: An Unlikely Return to the Catholic Church (Counterpoint, 256 pages), “this is not a story of being born again; if I wanted to be an evangelical I could just hop into a church and they’d dip me in a tub and serve me cake.” With this characteristic blend of spiritual sincerity and irreverent wit, Oakes, who is the author of the critically acclaimed book Slanted and Enchanted: The Evolution of Indie Culture (2009), retraces her steps back into her childhood […]

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An Ever-Evolving Chameleon: Cindy Sherman Retrospective at SFMOMA

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The long-standing queen of conceptual portraiture, Cindy Sherman is the art world’s daring chameleon and its fiercest critic. Known for her bold pieces that often question identity, self-perception and established gender norms, the Museum of Modern Art in New York City has curated an incredibly thorough traveling retrospective of Sherman’s work—more than 150 of her photographs, film projects, as well as a special series of film screenings that have inspired her creatively—that’s on exhibition until October 8 at the San Francisco Museum of Modern Art. Portraying herself as everything from a harlot to a housewife, Sherman embodies the narrow gender […]

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Do Not Linger at the Gate: David Shrigley’s ‘Brain Activity’ at the YBCA

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No one can fully appreciate the comedy and the strangeness of David Shrigley’s work without first becoming acquainted with his drawings. As bizarre as they are funny, these drawings are the Shrigley staple, a primer for his sculptures, photography, paintings, and installations. Rather than simply a display of artistic talent (it seems that anyone witty enough with a black Sharpie and a piece of paper could reach a similar end), they reveal his ability to make comic sense of the absurd and the obvious. The British artist’s current exhibition at the Yerba Buena Center for the Arts, Brain Activity, starts […]

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Creatures in the Desert: ‘A Million Heavens’ by John Brandon

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Probably the most enjoyable theme through all of John Brandon’s novels is his fascination with people in solitude, because it allows Brandon to linger on often-bizarre penchants and lifestyles. In Arkansas we saw the partnership of Swin Ruiz and Kyle Ribb, two young guys whose utter weirdness in personality lands them in the drug running business. In Citrus County, he focused on the dark longings of his characters, which they ponder on long walks through the forest, or during detention in an undecorated middle-school classroom. In his new novel, A Million Heavens (McSweeney’s; 272 pages), Brandon maintains his interest in […]

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