When you think of opium smoking, the sepia-steeped image of an exotic Shangri-La probably comes to mind.. However, opium consumption has long been a worldwide phenomenom, with smokers found among the upper crust and the impoverished. In his memoir, Opium Fiend: A 21st Century Slave to a 19th Century Addiction (Villard; 416 pages), Steven Martin delves deep into the long-lost secret history of a drug that once captured the imaginations of everyone, from the haute couture to Hunter S. Thompson. Martin—a freelance writer living in Southeast Asia whose curiosity about opium smoking eventually led to his becoming an addict to […]
A Sexual Greed, Profound and Shallow: Q&A With Chloe Caldwell
by Antonia Crane
There’s a matter-of-factness about Chloe Caldwell’s sexually uninhibited, confessional essays, Legs Get Led Astray (Future Tense Books). “I am the type of person who will give anything to anyone I feel I could love, ” Caldwell writes at one point. Caldwell is young—her work reflects that—but that is not to say the writing is immaterial or inchoate. It’s what I would call a greedy, ugly kind of “young,” the kind that makes you wonder if we are most alive, in a monstrous way, when we’re being hideous and awful. We spoke to her over Facebook about her frank and voracious […]
Life as a Flounder, or Lizard: ‘No Animals We Could Name’ by Ted Sanders
by Sandra Song
Ted Sanders writes the kind of sensitive, careful prose that makes it easy for the reader to forge connections with the most unconventional of characters—whether a flounder or a lizard—and to live for pages as someone (or something) you thought you could never identify with. A collection of fourteen individual narratives, each forming its separate universe, No Animals We Could Name (Graywolf Press; 272 pages) is a beautiful expression of feeling in the form of prose. Putting a surrealist spin on the most realist situations, Sanders’ hyper-observant prose and delicate descriptions are at once gentle and urging, prompting you to […]
Bohemian Rhapsody: ‘Jubilee Hitchhiker: The Life and Times of Richard Brautigan’ by William Hjortsberg
by Paul Wilner
To simplify, Jubilee Hitchhiker: The Life and Times of Richard Brautigan (Counterpoint; 880 pages), William Hjortsberg’s massive new biography of the late, once-iconic poet and novelist, can be roughly divided into three parts: BUMMER. Brautigan’s childhood years, growing up poor and alienated in a dysfunctional family in the eternally drizzly Pacific Northwest. Highlights included the poet’s hospitalization—and treatment with electric shock—after throwing a rock into the local police station after a girl he had a crush on rejected him. TRIPPY. Brautigan’s arrival in San Francisco, well ahead of the Summer of Love, whose spirit he briefly seemed to embody, and […]
Tucson’s Tragic Dispostion: ‘A Safeway in Arizona’ by Tom Zoellner
by Will Callan
At the beginning of his new book, A Safeway in Arizona: What the Gabrielle Giffords Shooting Tells Us About the Grand Canyon State and Life in America (Viking; 276 pages), Tom Zoellner provides a disclaimer: he admits to harboring “several personal biases” with respect to the book’s subject matter. We learn, however, that these biases are completely appropriate. Congresswoman Gabrielle Giffords, a survivor of the shooting at the Tucson Safeway on January 8, 2011, is an extremely close friend of Zoellner, who counts her within the “maybe twenty people” he has loved in his life. The emotion that Zoellner brings […]
Ghosts in the Archive: Five Notes on the Asian Art Museum’s ‘Phantoms’
by Andrew David King
I. The first thing I see when I enter the Asian Art Museum on opening night of “Phantoms of Asia”—before the scrolls, the photographs, the paintings, and the artifacts—is a sculpture of an upside-down “A” crawling with graffiti. Who’s the artist? I ask a staff member. Everyone, I’m told. The freestanding letter serves as a meeting point for the museums’ thousands of guests, each of whom can add to the piece. Some sign their names, others draw hearts. Dates and initials on white. From a distance, nothing’s legible; all that comes through is the letter itself. BE A CITIZEN OF […]
An Island Shaken By Memories: ‘Subduction’ by Todd Shimoda
by Ari Asercion
In Todd Shimoda’s most recent novel, Subduction (Chin Music Press; 304 pages), the book’s visual design is as crucial to the narrative’s enjoyment as is the prose Endo, a doctor exiled to the island of Marui-jima for committing a fatal mistake, occupies himself by becoming concerned with the island’s elderly residents. Curious about the years before his arrival, and the choices the islanders have often come to regret, he befriends Mari, the island’s documentary filmmaker, and grills her about the islanders’ stories, as well as her own. But when she presses Endo to share personal details of his own life, […]
An Unknown Future: ‘Stand Your Ground, The Sun Is Rising’ at Old Crow
by Chris Prioleau
“This is actually the first time that my parents have seen these photos. I didn’t want them to fear for what I was doing.” – Shadi Rahimi In May 2011, freelance photographer and journalist Shadi Rahimi spent two weeks in Cairo. There, through a series of short videos titled Voices of Egypt, the young Iranian-American chronicled the range of Egyptian perspectives surrounding the ongoing uprising. She left the country so creatively and emotionally transfixed that within days of returning home to Oakland she quit her job and worried her family by buying a one-way ticket back into the tumult-ridden capital. […]
The Brazilian Bird of Prey: Four New Translations of Clarice Lispector
by Adam Morris
In his preface to Clarice Lispector’s A Breath of Life (Pulsations), editor Benjamin Moser calls the four new translations from New Directions of Lispector’s novels—including Água Viva, Near to the Wild Heart, and The Passion According to G.H.—“the most important project of translation into English of a Latin American author since the complete works of Jorge Luis Borges were published a decade ago.” This is hardly a disinterested opinion: Moser himself kicked off the retranslations of Lispector’s work with The Hour of the Star (New Directions), published late last year. He also published a biography of Lispector in 2009, Why […]
Integrating the West with the East: ‘Phantoms of Asia’ at Asian Art Museum
by Alexander Bigman
Last year, Chinese scroll artist Zhang Daqian raked in $506 million in auction sales, surpassing Andy Warhol by a good $175 million. This is significant. Asia’s appetite for art has expanded in direct proportion with the region’s rapidly developing economy, which has been largely unfazed by the U.S. financial and European debt crises. China, which is opening museums at a rate of about 100 a year, now accounts for 41 percent of total world art revenue, up from 33 percent in 2010, and shows no signs of slowing. At this point, it is not unthinkable that New York might give […]
The Messiness of Love, Family, and Identity: Q&A with Lysley Tenorio
by Larissa Archer
The people of Lysley Tenorio’s story collection, Monstress (Ecco), are straddlers. Most obviously, they straddle cultures. Filipino immigrants in America pine for their native land or wish, often hopelessly, to assimilate indistinguishably into the culture of their adopted home. Life in the Philippines seems just as conflicted; the West’s exported culture muscles out the endeavors of Filipinos, with the Beatles and Hollywood dominating the collective imagination there just as much as they do here. But Tenorio’s characters also seem to straddle the high and low. He imbues them with profound (but never cheaply sentimental) longings, and with refinement of feeling […]
A Relationship Gone Missing: ‘Love, an Index’ by Rebecca Lindenberg
by Binh Nguyen
Many poems of love loss have been written, but none are as difficult to categorize as those in Rebecca Lindenberg’s collection Love, an Index (McSweeney’s; 96 pages). The title itself is a teasing, post-romantic gesture, as though the subject can be summed up in one sequential arrangement. And yet, the poet attempts. But unlike Elizabeth Bishop’s “One Art,” whose world is full of “many things… filled with the intent / to be lost that their loss is no disaster,” Lindenberg’s poems do not possess that self-consoling bravado. Her loss is abrupt and unforeseeable; her lover-poet, Craig Arnold, mysteriously vanishes while […]